Wednesday, April 23, 2014

Design Exploration - Bickford

What can I say about this site.......Animad. Animad is a Animation and Illustration company consisting of two people Ersi Spathopoulou and Dimitris Karatzaferis. The site Animad is an interactive portfolio which showcases their work in a way which makes the visitor to the site get involved and wanting to discover more. The artwork and design is extremely creative and the thought and time that went into this project had to have been extensive.
Go ahead and discover it.

Animad


Saturday, April 19, 2014


I found a “Golden Nugget” while doing research for the class blog.


I’ve always been intrigued by the creative process.  I’m curious about how other creative beings, come up with innovative ideas for their expressions. Weather it is for a painting, a book, a film, or new product, humans have an innate desire to create something.  It is part of our inherent nature, the creative process.  I’m thinking as a fellow classmate, you have a desire to express an idea, and were looking for a vehicle to express that idea, when you signed up for this class.

There are many resources and workshops out there regarding the creative process.
I am captivated by Steven Pressfield, and his insights, deep understanding of the creative process, and whit regarding the creative spirit. I know many of us struggle, trying to figure out what drives us to create, and often what paralyses us with fear, all at the same time. He talks about the “Resistance” we feel when we are on the right track, or on verge of a breakthrough. Sometimes we stop cold in our tracks, but there is a gift, if you face the dragon, head on.

Check his book out: "The War of Art": Break Through the Blocks & Win Your Inner Creative Battles ― Steven Pressfield.

My favorite quote of Steven’s is “Put your ass where your heart wants to be”… “If you want to paint, put yourself in front of an easel. If you want to write, sit in front of a keyboard…. Plunge in!” (This resonates with me).

While exploring creativity I stumbled across this…

“Allergy to Originality” Sundance 2014 Short

Drew Christie describes his animated short “Allergy to Originality”, and explores Un-Originality, Plagiarism, through this satire, illustrated film short.  He discusses the tools he used (in creative cloud).  The bottom line is, the story is important.  The “story” is a continuing theme in all of my research.  Tools are just the vehicles used to tell the story.

http://tv.adobe.com/watch/adobe-at-sundance-/drew-christie/

“This May Be the Last”, Sundance 2014 Short

Filmmaker Sterlin Harjo, describes his 2014 Sundance entry, documenting a story through song and film.  It is so much easier to tell a story through technology.  Using his grandfather's 1962 car accident as a starting point, the film explores a Muskogee Indian singing tradition that incorporates Scottish missionary songs, Christian hymns, and slave spirituals.

Story telling intrigues me.  I love the power of the written word, particularly when combined with imagery. I love it when I hear a story, or poem that gives me chills, or moves my spirit from apathy to activism, or makes me laugh, or brings tears of compassion to my eyes.

The Golden Nugget

I found this cool website http://www.motionpoems.com/

An Art Museum in Minneapolis features poetry set to film.  Motionpoems presents world premiere of Season 5 New poetry films to screen May 22 at Walker Art Center.

Their Mission - Motionpoems broadens the audience for poetry by turning great contemporary poems into short films. This is done through cinematography and animation.  I think the flash class will really enjoy some of the productions.

Their Background - In 2008, animator/producer Angella Kassube animated one of Todd Boss’s poems. The results were so compelling that Boss and Kassube began introducing other poets to other video artists. A year later, a public screening at Open Book in Minneapolis drew a standing-room-only crowd of 150+ to see 12 pieces they dubbed Motionpoems… and a new hybrid form was born. Since then, motionpoems have appeared in mainstream media, blogs, YouTube, international film festivals, art galleries, and here on our website.

It’s funny but some of the poems reflect Drew Christie’s perspective, described in “Allergy to Originality”.  Many of the shorts are famous poems, brought to you with a new spin.

I thought the class would enjoy the flash animation used in the following shorts.




STRAND | WENNER | “The Mysterious Arrival of an Unusual Letter”
Filmmaker Scott Wenner didn’t take many interpretive liberties with this poem, though it bears his particular stamp. Check out the illustrations, the use of light and shadow.  Many of the animation concepts we learned in the class are rendered beautifully.





HICOK | MOLLER | “Circles in the Sky”
Seeing beauty in vultures, poet Bob Hicok and filmmaker Keri Moller circle back to the living in this quiet, tenderly wrought motionpoem.





KUMIN | TOW | “Either Or”
Socrates had some either/or thoughts about death. Poet Maxine Kumin has some thoughts about those thoughts. Filmmaker Adam Tow adds his thoughts to hers.





WILBUR | ESKOLA | Ecclesiastes 11:1
The filmmaker Faith Eskola’s five-year-old daughter gives voice to this poem by 90-year-old Pulitzer Prize winning poet Richard Wilbur.  This poem exemplifies Drew Christie’s perspective.  An old poem, reinterpreted, and read by a five year old.  Take note of the simple interface.





HICOK | KOHLER | “Having intended to merely pick on an oil company, the poem goes awry.”  Bob Hicok’s invective against British Petroleum becomes an indictment of his own consumptive habits, but documentary filmmaker Joanna Kohler sets him straight in the end.



I am so glad I stumbled upon this site.  They have a newsletter you can sign up for to receive updates. 

Enjoy!

Mella

“See for yourself, but be warned: [a motionpoem] is so striking and cinematic … you can’t just watch it once. Most people replay [it] several times because each viewing pulls them deeper into the poem.”


TESTIMONIALS

“Astonishing, powerful, and hilarious. Motionpoems is leading a poetry renaissance.”

—Forbes

“I feel confident in my prediction that more and more arranged marriages will be made between poetry and video—confident enough to call this a trend. The idea of basing a video on a poem may one day seem as natural and inevitable as the setting of poems to music used to be.”

—David Lehman in his introduction to Best American Poetry 2012










I found a “Golden Nugget” while doing research for the class blog.



I’ve always been intrigued by the creative process.  I’m curious about how other creative beings, come up with innovative ideas for their expressions. Weather it is for a painting, a book, a film, or new product, humans have an innate desire to create something.  It is part of our inherent nature, the creative process.  I’m thinking as a fellow classmate, you have a desire to express an idea, and were looking for a vehicle to express that idea when you signed up for this class.

There are many resources and workshops out there regarding the creative process.  I am captivated by Steven Pressfield, and his insights, deep understanding of the creative process, and whit regarding the creative spirit. I know many of us struggle, trying to figure out what drives us to create, and often what paralyses us with fear, all at the same time.  He talks about the “Resistance” we feel when we are on the right track, or on verge of a breakthrough.  Sometimes we stop cold in our tracks, but there is a gift, if you face the dragon, head on.

Check his book out: "The War of Art": Break Through the Blocks & Win Your Inner Creative Battles ― Steven Pressfield.

My favorite quote of Steven’s is “Put your ass where your heart wants to be”… “If you want to paint, put yourself in front of an easel. If you want to write, sit in front of a keyboard…. Plunge in!” (This resonates with me).

While exploring creativity I stumbled across this…


“Allergy to Originality” Sundance 2014 Short

Drew Christie describes his animated short “Allergy to Originality”, and explores Un-Originality, Plagiarism, through this satire, illustrated film short.  He discusses the tools he used (in creative cloud).  The bottom line is, the story is important.  The “story” is a continuing theme in all of my research.  Tools are just the vehicles used to tell the story.

http://tv.adobe.com/watch/adobe-at-sundance-/drew-christie/

“This May Be the Last”, Sundance 2014 Short

Filmmaker Sterlin Harjo, describes his 2014 Sundance entry, documenting a story through song and film.  It is so much easier to tell a story through technology.  Using his grandfather's 1962 car accident as a starting point, the film explores a Muskogee Indian singing tradition that incorporates Scottish missionary songs, Christian hymns, and slave spirituals.

Story telling intrigues me.  I love the power of the written word, particularly when combined with imagery. I love it when I hear a story, or poem that gives me chills, or moves my spirit from apathy to activism, or makes me laugh, or brings tears of compassion to my eyes.

 The Golden Nugget

I found this cool website http://www.motionpoems.com/

An Art Museum in Minneapolis features poetry set to film.  Motionpoems presents world premiere of Season 5 New poetry films to screen May 22 at Walker Art Center.

Their Mission - Motionpoems broadens the audience for poetry by turning great contemporary poems into short films. This is done through cinematography and animation.  I think the flash class will really enjoy some of the productions.

Their Background - In 2008, animator/producer Angella Kassube animated one of Todd Boss’s poems. The results were so compelling that Boss and Kassube began introducing other poets to other video artists. A year later, a public screening at Open Book in Minneapolis drew a standing-room-only crowd of 150+ to see 12 pieces they dubbed Motionpoems… and a new hybrid form was born. Since then, motionpoems have appeared in mainstream media, blogs, YouTube, international film festivals, art galleries, and here on our website.

It’s funny but some of the poems reflect Drew Christie’s perspective, described in “Allergy to Originality”.  Many of the shorts are famous poems, brought to you with a new spin.

I thought the class would enjoy the flash animation used in the following shorts.





STRAND | WENNER | “The Mysterious Arrival of an Unusual Letter”
Filmmaker Scott Wenner didn’t take many interpretive liberties with this poem, though it bears his particular stamp. Check out the illustrations, the use of light and shadow.  Many of the animation concepts we learned in the class are rendered beautifully.






 HICOK | MOLLER | “Circles in the Sky”
Seeing beauty in vultures, poet Bob Hicok and filmmaker Keri Moller circle back to the living in this quiet, tenderly wrought motionpoem.






KUMIN | TOW | “Either Or”
Socrates had some either/or thoughts about death. Poet Maxine Kumin has some thoughts about those thoughts. Filmmaker Adam Tow adds his thoughts to hers.






WILBUR | ESKOLA | Ecclesiastes 11:1
The filmmaker Faith Eskola’s five-year-old daughter gives voice to this poem by 90-year-old Pulitzer Prize winning poet Richard Wilbur.  This poem exemplifies Drew Christie’s perspective.  An old poem, reinterpreted, and read by a five year old.  Take note of the simple interface.






HICOK | KOHLER | “Having intended to merely pick on an oil company, the poem goes awry.”  Bob Hicok’s invective against British Petroleum becomes an indictment of his own consumptive habits, but documentary filmmaker Joanna Kohler sets him straight in the end.




I am so glad I stumbled upon this site.  They have a newsletter you can sign up for to receive updates. 

“See for yourself, but be warned: [a motionpoem] is so striking and cinematic … you can’t just watch it once. Most people replay [it] several times because each viewing pulls them deeper into the poem.”


TESTIMONIALS

“Astonishing, powerful, and hilarious. Motionpoems is leading a poetry renaissance.”

—Forbes

“I feel confident in my prediction that more and more arranged marriages will be made between poetry and video—confident enough to call this a trend. The idea of basing a video on a poem may one day seem as natural and inevitable as the setting of poems to music used to be.”

—David Lehman in his introduction to Best American Poetry 2012








Thursday, April 17, 2014

new media exploration

1) WHO ARE YOU?

What is your business, product, or service?  What is your business, product, or service name?  Do you want or have a slogan or tagline? 

2) YOUR OBJECTIVES.

Where do you want to go
1) WHO ARE YOU?

What is your business, product, or service?  What is your business, product, or service name?  Do you want or have a slogan or tagline? 

2) YOUR OBJECTIVES.

Where do you want to go with your business? How would you like to see your business grow? What are your short-range goals after launch?

3) DESIRED RESULTS AND VISION.

How would you like your business to be perceived by those whom experience it on a daily basis?

4) TARGET MARKET.

Who is your audience?  What is your primary demographic focus?  How do they find you?  How do you see your business engaging with them?  Can your business fill a void or create a viable business out of a niche market?

5) COMPETITION.

Who is your primary national or local competition? {directly or indirectly}  How is your company different from them?

6) SUCCESS CRITERIA.

Define how you will judge a successful project?

7) PROJECT VOICE.

What do you want your identity to say about you (your product)?  How would you like to see people react to it?  What personality should your product have?

8) COLOR PREFERENCES.

I find  that something old in media exploration as search engines are vital for all types of businesses, services ect... I learned how different types of paid search engine advertise and what type of  impact it can make on a company’s marketing efforts. Competition for search engine placement is ruthless to say the least and ever evolving with new programs, ideas ect....
Search engines are becoming the modern day phone book and so much more. Search engines just do not  provide contact information they provide access to a brand and all it offers. Search engines are somewhat like the ultimate index of anything you need to know about.

Marketing professionals need to understand how search engines work in order to maximize their web marketing efforts. They need to utilize search engine placement. A great web site isn’t much good if people can’t find it and access it.
 
As per search engines there is a difference between paid inclusion and paid placement. The difference between paid placement and paid inclusion is that with paid inclusion, the fee only guarantees a Web site’s listing within a search engine’s full index of possible results.  For example, if I’m Atari and if I only purchase a paid inclusion from Yahoo,  the site will definitely appear on the search list, but  there is no guarantee that it will be ranked or even near, the top of the list.
Paid placement on the other hand guarantees prime placement in search results toward the top of the list.  Most web users don’t go past the first couple of pages of search results. 
What is your favorite and least favorite color, explain why.

9) GAUGING PERCEPTION. (This one is basically for logo design.)

Name a brand logo you like and explain why. What is something most people like, that you don't like or care for, in respect to its design aesthetics?

10) EQUITY.
Where would you like to be in 10 years with your business?

11) KEYWORDS.  

What keywords best describe your business?  (Please add your own.) with your business? How would you like to see your business grow? What are your short-range goals after launch?

3) DESIRED RESULTS AND VISION.

How would you like your business to be perceived by those whom experience it on a daily basis?

4) TARGET MARKET.

Who is your audience?  What is your primary demographic focus?  How do they find you?  How do you see your business engaging with them?  Can your business fill a void or create a viable business out of a niche market?

5) COMPETITION.

Who is your primary national or local competition? {directly or indirectly}  How is your company different from them?

6) SUCCESS CRITERIA.

Define how you will judge a successful project?

7) PROJECT VOICE.

What do you want your identity to say about you (your product)?  How would you like to see people react to it?  What personality should your product have?

8) COLOR PREFERENCES.

What is your favorite and least favorite color, explain why.

9) GAUGING PERCEPTION. (This one is basically for logo design.)

Name a brand logo you like and explain why. What is something most people like, that you don't like or care for, in respect to its design aesthetics?

10) EQUITY.
Where would you like to be in 10 years with your business?

11) KEYWORDS.  

What keywords best describe your business?  (Please add your own.)